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this is the best one cuz this one has more speical Affects and it has monster like the other one didn't and this had more fighting and more wizards now this was the best one of all thats what i think get this,it's a really great movie Arnold kicks @$$ on this movie but i think he should just get about valeria.but this is a great and powerful movie
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Among Arnold's early movies, this one stands out for the eclectic supporting cast. His early movies were remarkedly free of any acting on his part; I suspect he was still learning English then. But one way to make him look better is to hire nonactors, or miscast semiactors. Enter Wilt and Grace. (Later, Richard Dawson). This is as much a collectible as Terminator 2.
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I saw this one and was so dissapointed. But thats ok cause it made me laugh alot. Cheesy 1980s special effects, bad acting, bad casting and dorky characters. Arnold's dorky sidkick makes me laugh so hard in this one. The dialog in this film is so bad that it makes you laugh. Here are the good parts, the princess is young and hot and so is her aunt the queen. And Arnold rules no matter how bad the film might be. All you basketball fans will be glad to know that Wilt Chamberlain is in this one. The bad news is he cannot act. This is a reccuring trait in this movie.
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I wasn't too impressed with Conan the Barbarian but people told me that Conan the Destroyer was better so I decided to give it a chance. Though there were some good scenes, the overall movie leaves more to be desired same as the first Conan. While the plot was not so drawn out, the lack of action hurt the movie to some degree. The returning characters are Conan (of course) along with his side kick Malleck from the first movie. And speaking of the first movie, Conan became king at the very end but in Conan the Destroyer he sets off on a quest all over again to find his destiny. (What's up with that?) Anyway, the fights are not as brutal this time around and the characters are a little more likeable than those in the first Conan. The last part of the movie was pretty good but it just wasn't enough to make an overall good movie. Not only that, Conan's wife from the first movie was supposed to get ressurected but it never happened (Can we say "plot hole"?) Again, the Conan films don't deliver very much and leave more to be desired.
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The 1982 film "Conan the Barbarian" is the film that gets the credit (or blame) for turning Arnold Schwarzenegger into a movie star, but it should be remembered more as the best Sword & Sorcery film produced to date. The main reasons, besides Schwarzenegger cutting an imposing figure as Conan, flexing his muscles and swinging his big sword, was that director John Milius treated the characters seriously and avoided descending into camp. But for the 1984 sequel "Conan the Destroyer," the key factor seemed to be coming up with casting in a similar vein to the logic that had landed Arnold the role.
The story of "Conan the Destroyer" was by Roy Thomas and Gerry Conway, a pair of writers for Marvel Comics. Thomas was the writer for Marvel's "Conan the Barbarian," often adapating Robert E. Howard's stories, whether they were originally Conan stories or not. The story is a basic quest story where Conan escorts a virgin princess to bring back a powerful gem from a crystal palace, which will then be returned to a queen (Sarah Douglas), who turns out to be evil and wants to sacrifice the princess so the gem can used to summon an ancient demon, at which point wackiness will ensue.
The problem is not in the story, which certainly allows you to string together a series of Sword & Sorcery adventures, but in the casting. The princess is played by Olivia d'Abo, who simply looks too young (i.e., Conan was forever leaving pregnant princesses behind in his various adventures but there is not chance for that sort of chemistry here). Her body guard, Bombaata, is played by basketball Hall of Famer, Wilt Chamberlain, while Zula, the warrior woman who joins the group is played by Grace Jones, the singer/dancer/model/crazy woman. Comic relif, which was relatively absent in the orignal film, is provided by Tracey Walter as Malak. With such casting the descent into camp becomes inevitable. Besides, there is nothing in this film even close to rivaling Arnold's best moments in the original (especially since the final shot of the old King Conan is recycled from the first film).
Those who have actually read the originally Conan stories will also find it rather distressing that Toth-Amon, the great Stygian wizard who was Conan's biggest enemy in the Howard stories, is reduced to a pit stop on this quest (I remember thinking at the time that this was the equivalent of Darth Vader being one of the guys that got dispatched at the Cantina in "Star Wars"). Thomas and Conway were upset by Stanley Mann's final screenplay, as well as the finished film, and ended up turning their story into the graphic novel "Conan and the Horn of Azoth," with art by Mike Docherty (all the names got changed to avoid any confusion).
Ultimately, "Conan the Destroyer" gets three stars because we round down simply to make sure that it is clear that "Conan the Barbarian" was a better movie. Besides, this 1984 film pretty much killed the franchise, although Milius is apparently preparing a 2005 film "King Conan: Crown of Iron," which there being a lot of speculation as to who will play Conan now that Arnold is Governor of Cal-e-fornia (the hot names are apparently all wrestlers).
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